Henry L. Self, III, (Of Counsel) Born Kansas City, Missouri; admitted to bar, 2002, California and U.S. District Court, Central District of California; 2013, District of Columbia.
Education: University of Missouri-Columbia (B.J., 1999); University of California at Los Angeles School of Law (J.D., 2002).
Honors: UCLA School of Law Moot Court Honors Program National Team; Melville B. Nimmer Memorial Scholarship; Articles Editor and Staff Member, UCLA Entertainment Law Review.
Articles: Co-Author: “Schwarzenegger vs. Bobbleheads: The Case for Schwarzenegger,” 45 Santa Clara L. Rev. 557 (2005); Author: “Settlement of Infringement Claims by Copyright Co-Owners,” 13 Tex. Intell. Prop. L.J. 65 (2004). Author: “Moral Rights and Musicians In the United States”, 2003-2004 Entertainment, Publishing and the Arts Handbook 165 (2003). Author: “Digital Sampling: A Cultural Perspective,” 9 UCLA Ent. L. Rev. 347 (2002).
Published cases: Axiom Foods, Inc. v. Acerchem International, Inc. (9th Cir. 2017).
Member: State Bar of California; District of Columbia Bar; The Recording Academy; Board of Directors, Create: Fixate Arts Organization; Los Angeles Copyright Society; Guild of Music Supervisors; The California Copyright Conference; California Lawyers for the Arts.
Practice Areas: Entertainment Litigation; Business Litigation; Rightof Publicity; Right of Privacy; Libel, Slander and Defamation; Copyright.
Music Supervisor: ImagiGARY (2015); Making Your Mark (A Year in the Life of an Entrepreneur) (2010); The Third Rule (2010); 48 Hours a Week (2010); Beneath the Dark (2010); The Polo Kid (2009); Intervention (2008); All the Boys Love Mandy Lane (2006); Shards (2004).
Associate Producer: David Lynch: The Art Life (2016).
Speaking Engagements: "Trademark Bootcamp," Los Angeles Intellectual Property Law Association (2013); "Trademark Protection in Cyberspace," Los Angeles County Bar Association (2013); "Music and Copyright," Create: Fixate Foundation (2006).
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